Instrument Improvements of the Nineteenth Century and the Effects on Essay

Instrument Improvements of the Nineteenth Century and the Effects on the Wind reverberate - Essay ExampleThere turn in been many different versions of jazz instruments as they too have slowly evolved and alterd with the passage of time. It is the intention of this paper to demonstrate how the invention of modern day wind instruments helped to bring the wind hatful out of the realm of pure functionality, and into the realm of artistic expression. Through the additions and advance of modern wind instruments, the wind band is becoming another respected art medium. It was through the workplace of European wind instrument makers that all of the wind instruments gained the ability to play chromatic notes, allowing them to play melodies, and step by step changing the role of the wind band from one of functionality to artistic expression. In this paper, it is argued, wind band eyepatch attaining this status by way of instrument improvements, facilitated better scope for individual pe rformance within the band without sacrificing the element of harmony and this was what contributed to the growth of wind bands as an artistic medium. Background The proposition that invention and phylogeny led to wind bands entering musical life in a big way, is an acknowledged fact.2 The major(ip) developments in this realm have been, the invention of saxophone, use of pistons in brass instruments, use of pistons in woodland wind instruments, improvements made to the clarionet by bass and contrabass, development of a new form of oboe by incorporating contrafaggotto, and the emergence of the new brass instruments in the lower bass section.3 These changes and improvements were either make simply by enthusiastic innovators or were made on demand from the master composers in array to meet their creative requirements.4 Above four thousand patents for innovations were allocated in France alone in the 19th cytosine and among them, piano and wind instruments were the majority.5 In g eneral, it was to bridge over the long gaps and intervals between the open notes that all systems of valves, slides and keys be intended.6 This enhanced the quality of the music being produced and provided wind band music with an added dimension of individualism. Theobald Boehm The earlier alert forms of wind instruments were so under-developed that the creation of harmony using them was a near impossibility.7 In the early nineteenth century, European instrument makers were hard at work trying to devise a way to improve the tuning of wind instruments. The keyed bugle was the invention in the series of improvements to wind instruments and the inventor was Joseph Halliday to whom the point of intersection was patented.8 Theobald Boehm (1794-1881) was born in Germany and was a professional flautist who became dissatisfied with the tone quality and imperfect utensil of the old-style conical bore flute.9 He decided to redesign his own flute after audience a concert given by Charles Nicholson in London.10 Boehm was impressed by Nicholsons powerful tone emaciated from his large-holed flute. In 1832, Boehm emerged from his shop in Munich with a new large-holed conical bore flute that incorporated employment rings with which to cover the 14 newly placed tone holes.11 Boehm did not start making rounded flutes until 1847 after studying and applying the science of acoustics to his instrument making.12 It would be another